Holy Valkyrie ExS-TIA: Concerto 1 and Holy Valkyrie ExS-TIA: Concerto 2 from Lusterise and Shiravune at the moment are accessible on the MangaGamer retailer! Save 20% throughout launch!
Holy Valkyrie ExS-TIA: Concerto 1
Religion can be your power
Within the peaceable metropolis of Kawado Higashi, a fearsome discovery has been made—”Guilt Seeds” that trigger folks’s wishes to run wild, turning them into monsters.
Left unchecked, numerous innocents can be reworked into abominations, wreaking havoc upon others.
As a way to forestall this from occurring, Ichika Itakano should seek for these Guilt Seeds.
Throughout this time, Haruno Aikawa is attacked by one such Guilt Seed monster.
Coming throughout her by likelihood, Ichika sees that she has a expertise for PP and bestows her with an ExS-Machine.
The woman named Haruno transforms into ExS-TIA Ignis, and efficiently defeats the monster.
At Ichika’s request, Haruno—newly christened ”ExS-TIA Ignis”—aids her in her hunt for the Guilt Seeds.
Developer: Lusterise
Writer: Shiravune
Score: Grownup Solely, Censored w/ Mosaics
Voice: Feminine Full Voice
Holy Valkyrie ExS-TIA: Concerto 2
For the sake of one other, I battle
Scattered throughout the peaceable metropolis of Kawado Higashi are ”Guilt Seeds” that trigger folks’s wishes to run wild, turning them into harmful monsters.
To stop the inevitable catastrophe that may happen if left unchecked, Ichika Itakano prices Haruno Aikawa with the gathering of those seeds.
Together with her newly acquired ExS-Machine, Haruno is ready to remodel into ExS-TIA Ignis and seek for the Guilt Seeds.
On the similar time, one other ExS-TIA emerges from the darkness of night time.
Toka Sugawara, who attends the identical college as Haruno, a.okay.a ExS-TIA Luna.
She too hunts for the Guilt Seeds whereas battling in opposition to monsters.
However what might be the ordinarily modest and quiet Toka’s causes for combating as ExS-TIA Luna…?
Developer: Lusterise
Writer: Shiravune
Score: Grownup Solely, Censored w/ Mosaics
Voice: Feminine Full Voice
