Stunt coordinator Scott Rogers has reportedly labored with John Wick director Chad Stahelski for many years, gaining key perception into directing from this era’s premier motion film filmmaker. He even just lately labored side-by-side with Stahelski, coordinating the stunts for John Wick‘s highest-rated movie in John Wick: Chapter 4. Rogers’ directorial debut is now on the best way and shall be based mostly on William R. Forstchen’s science fiction novel One Second After, which explores the concept of what America would appear to be straight following an EMP bomb that wipes out the nation’s grid.
The movie advantages from sturdy story supply materials, and can greater than doubtless embrace some improbable motion choreography besides. Rogers exhibits promise as a director, given his shut affiliation with Stahelski and related trajectory in movie making. This budding stunt coordinator-to-director pipeline stands to be a fruitful, and slightly bankable, drawing pool for studios ought to this movie achieve success on the field workplace. Audiences can anticipate an ideal story from a well-mentored upstart director, whose profitable film pitch was greater than doubtless “Sci-Fi John Wick.“
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The quieter moments with John may be disproportionately dry, and lead viewers to take a look at from the Continental till the weapons begin firing once more
Is Scott Rogers A Chad Stahelski Clone?
One among Chad Stahelski’s most well-known resume strains is his work on The Matrix, serving as Keanu Reeves’ stunt double. Scott Rogers additionally labored on a Matrix movie with The Matrix Resurrections, serving as stunt coordinator for the movie. Rogers has additionally coordinated stunts for Uncharted, The Bourne Ultimatum, and Birds of Prey and the Fantabulous Emancipation of One Harley Quinn.
Whereas each administrators have labored carefully collectively on a number of initiatives, together with the John Wick franchise and Sam Raimi’s Spider-Man trilogy, they do have distinct types. Stahelski focuses extra on hand-to-hand fight, whereas Rogers’ work options massive set items. Stahelski informed Vulture Journal in 2021:
Again within the day, battle scenes have been secondary to automotive chases and horse chases and helicopter chases and motorboat chases.
He went on to say that earlier than The Matrix, which he credit as inspiration for his John Wick movies, fights have been restricted to Arnold Schwarzenegger “pummeling you to demise along with his fingers.”
It simply so occurs that whereas Stahelski went on to additional innovate the best way battle scenes are featured in movie. Rogers is definitely one of many guys accountable for these automotive chases and horse chases, notably overseeing the show-stopping horse chase from John Wick 3. As Rogers informed Under The Line Information, he would not do battle stuff within the John Wick world, leaving that to Stahelski. That is to not say he is not succesful, although. Will probably be fascinating to see what he can do with fights and car chases together with the explosive cataclysmic occasions in One Second After.
What Would Sci Fi John Wick Look Like?
In the identical interview, Rogers additionally famous the prep work he’d adopted from Stahelski in bringing sensible stunts to life. He mentioned it makes taking pictures days extra environment friendly when the suitable quantity of preparation has gone into ensuring an getting older Keanu Reeves would not must do too many lengthy takes of intricate battle sequences. It is nonetheless unknown how Rogers’ affinity for sensible results will apply to the grand scale of a nationwide blackout occasion, however it is going to be fascinating nonetheless. Audiences can depend on Rogers emphasizing in-camera motion and results. Talking about audiences’ yearning for sensible results, Rogers mentioned:
They don’t wish to have a look at one thing and say, ‘Was that actual?’ They wish to know that it was there.
Regardless of the science-fiction style of One Second After‘s supply materials, audiences can anticipate a whole lot of camera-captured magic and a scarcity of advanced-tech and visuals because of the world’s lack of electrical energy.
In One Second After, the breakdown of post-EMP society is chronicled by means of the eyes of John Matherson (to not be confused with John Wick). The guide was truly cited in a Congressional listening to because of its scientifically-sound feasibility, given {that a} related incidence happened in actual life. The guide is extra of a post-apocalyptic thriller than an all-out motion romp, nevertheless it stands that stunt aficionado Scott Rogers would inject loads of motion into the movie adaption, exhibiting off his sole imaginative and prescient for stunts on the massive display screen. Rogers’ debut movie will doubtless be akin to one thing like Will Smith‘s I Am Legend blended with 2009’s The Highway, the latter of which relies on the novel by Cormac McCarthy.
Are Stunt Performers An Untapped Filmmaker Pool?
Stunt performers-turned-directors aren’t too area of interest at this level in Hollywood. For instance, Netflix’s more and more profitable Extraction collection, starring Chris Hemsworth, is helmed by former stuntman Sam Hargrave and is lauded for its spectacular stunt work and lengthy motion sequences. Hal Needham, at one level the very best paid stuntman on this planet in response to IMDB, went on to direct Smokey and The Bandit (1977) and Hooper (1978). David Leitch co-directed the primary John Wick together with Chad Stahelski, later directing Deadpool 2, Bullet Practice, and The Fall Man, a film all about stunt performers.
Whereas the stuntman-to-director funnel is not unprecedented, it advantages from a considerably small fraternity of profitable members indicating promise for newcomers. Scott Rogers is able to enter the fold with One Second After. His John Matherson protagonist will not be John Wick, however he may very well be one thing simply as particular.
