Apple’s Right here’s to the Dreamers marketing campaign is again for its third version, celebrating formidable, artistic expertise from throughout South East Asia and we had the chance to interview one of many artistic abilities Nguyễn Khánh Duy, Affiliate Artwork Director at Riot Video games. From a failed structure faculty applicant to creating artwork that hundreds of thousands of League of Legends gamers see each day, Duy’s path reveals how ardour and persistence can result in sudden locations. His journey from making tiny rocks on battle maps to main artistic groups gives precious insights for anybody trying to break into the gaming trade.
Discovering His Inventive Voice and Beginning Small at Riot Video games
Duy’s path wasn’t at all times clear. “I’ve at all times recognized myself as an artist so every part I do wanted to be associated to artwork,” he explains. The turning level got here by an unlikely supply of inspiration. “Video games from Blizzard and Remaining Fantasy influenced me lots and made me understand that artwork doesn’t simply must be about drawing chairs and bananas. It may be about drawing monsters, robots and even fantasy worlds. That’s when it clicked for me.”
This realization opened up a complete new world of artistic potentialities, steering him away from conventional artwork topics towards the fantastical worlds that might ultimately change into his specialty.

Duy’s entry into Riot Video games got here by household encouragement. His cousins, all League of Legends followers, pushed him to attempt engaged on the sport. He began as an intern with what appeared like a humble activity: creating rock props for battle maps.
“I ended up taking three months to make solely 4 rocks. I used to be disillusioned at first as a result of I felt like I wasn’t contributing a lot,” Duy remembers. Nevertheless, his mentor offered perspective that might form his whole profession method. “He informed me that hundreds of thousands of gamers would see these rocks every day—individuals who benefit from the sport and spend hours on that very same battle map and see these rocks at any time when they do.”
This lesson caught with him: “I spotted the way it doesn’t matter how small you begin since you by no means know when your work will change into a part of one thing large.” From these preliminary rocks, Duy moved on to engaged on champion skins, carrying this mindset ahead in every part he creates.
The Artwork of Studying and Rising
One in all Duy’s key ideas includes steady studying from others. “All the time searching for your ‘grasp,’” he says, describing his relationship together with his mentor. “I’ve a mentor—somebody wonderful with colour, and has unbelievable creative expertise. I look as much as him a lot. Each time I present him one thing, he at all times provides suggestions that makes me higher.”
However Duy realized an vital lesson about progress: “You don’t must be higher in each means. Possibly I’ll by no means be nearly as good as him at colour. However I’ve different strengths—my mindset, how I resolve issues, how I lead groups and the way I mentor others.”

This understanding helped him develop his distinctive id. “There are such a lot of dimensions to an individual. And whenever you develop by studying from completely different individuals, you form your individual id,” he explains. “It’s additionally not about copying your mentor—it’s about utilizing them as one a part of who you change into.”
He walks us by the design course of: “We first begin from product necessities to sketching out idea concepts which is then evaluated by the entire group for practicality. After that, we make it 3D, do up their animation, carry out rigging, VFX, SFX and eventually executed to visualise the design in-game.”
From Creator to Chief
The transition to management introduced modifications. “Loads has modified and it took me some time to get used to it,” Duy admits. “After I was engaged on artwork straight, I may see outcomes each day and that felt nice. As a pacesetter, the outcomes take longer to indicate, which may really feel much less rewarding on a day-to-day foundation.”
He describes management in a different way now: “It’s like going to the fitness center, you understand. You don’t see your muscle groups develop in a single day. You present up each day, put within the work, and it appears like nothing is occurring. However over time—months later—you look again and understand you’ve made progress.”

Duy describes his largest private problem: “One of many largest private problem I confronted was having to wish to construct up my id to be distinctive, stand out however afterward I must carry down my ego to watch and be taught. The method retains repeating. After some time, I’m assured and skilled sufficient to assist over artists develop. Information them by artistic processes. That’s after I grew to become a pacesetter.”
Profitable Collectively and Dreaming Past Limits
With regards to balancing private creativity with group collaboration, Duy has a transparent philosophy: “I really feel higher profitable collectively. It’s much less about me expressing my very own artistic instincts as a result of I may do it in my very own time.”
His method focuses on the larger image: “At work, it’s at all times concerning the participant, and specializing in the participant is what we wish in our group. When gamers win, all of us win collectively.”

Duy’s participation in Apple’s “Right here’s to the Dreamers” marketing campaign represents a full-circle second. “It’s a large honor to have the ability to signify creatives from Vietnam and share my story with younger artists who could also be working arduous to get into the artistic trade. I hope that my story provides them hope and motivates them.”
For him, “Dream Past” means fixed progress: “I believe being daring in your ambitions additionally comes with fixed studying. ‘Dreaming Past’ to me means not being afraid to reinvent myself with the intention to develop, so long as it aligns with my ideas.”
Recommendation for Aspiring Sport Artists
Nguyễn Duy’s recommendation for younger artists comes from each private expertise and statement. “I really feel like I’m blessed and actually fortunate to have so many individuals assist me alongside the best way,” he acknowledges. However his core recommendation is sensible: “They need to know precisely what they need and have—the humility to interrupt down and be taught from others. Be sincere with your self, and be resilient.”
He shares a robust story from his time on the Academy of Artwork in San Francisco a few classmate who switched from science to artwork: “He got here from a science background, wished to change to artwork, and truthfully, he wasn’t excellent at first. Folks have been sort to him, however you might inform he was struggling.”
The end result stunned everybody: “However he by no means gave up. Slowly, he improved. He obtained into print reveals. Years later, Riot employed him. Ultimately, he got here again as a principal 3D artist—larger than me! He proved to me that resilience and love for the craft matter greater than expertise alone.”

Duy’s remaining phrases seize the essence of his journey: “So sure—it’s painful, and it takes time. However in case you push by with integrity and fervour, you may make it.”From creating 4 rocks over three months to main artistic groups at certainly one of gaming’s largest firms, Nguyễn Khánh Duy’s story proves that generally essentially the most profitable careers begin with the smallest steps—and the most important desires.
With this yr’s theme to “Dream Past,” we shall be spotlighting builders, musicians, artists and extra as they push boundaries and encourage others to achieve their fullest potential, with their tales throughout App Retailer, Apple Music and Apple TV+.
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